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Compilation · Psychic

Beauty: Compilation

Passages from the works of Sri Aurobindo and the Mother on beauty, each with its source.

85 passages 79 min read

On this page
  1. What is Beauty?
  2. Pre-requisites
  3. Beauty: Stages
  4. Beauty in the Vital
  5. Beauty in Art
  6. Why is Beauty Important?
  7. Why is it Important for Progress in Yoga?
  8. Relatable Experiences in Yoga
  9. How to Cultivate Beauty?
  10. Practices
  11. Practices for Children
  12. Practices for Artists
  13. Challenges
  14. Physical
  15. Vital
  16. Understanding of Beauty in Yoga
  17. What is Beauty?
  18. Why is Beauty Important?
  19. How to Cultivate Beauty?
  20. Challenges
  21. Sources

What is Beauty?

The physical world is the world of form and the perfection of form is beauty. Beauty interprets, expresses, manifests the Eternal. Its role is to put all manifested nature in contact with the Eternal through the perfection of form, through and a sense of the ideal which uplifts and leads towards something higher.

Source CWM 12 · Arts · para 2

On the physical plane the expresses himself through beauty, on the mental plane through knowledge, on the vital plane through power and on the psychic plane through love. When we rise high enough, we discover that these four aspects unite with each other in a single, full of love, luminous, powerful, beautiful, containing all, pervading all.

Source CWM 15 · The Divine Working in the Universe · para 6

Spiritual beauty has a contagious power. Beauty is the joyous offering of Nature.

Source CWM 12 · Arts · para 13

There is a psychic world—a sort of Heaven of and beauty and harmony. It is also a place of rest for the soul between two in which it absorbs its past experiences and becomes ready for another birth.

Source CWSA 28 · The Psychic Being · para 100

It [aesthetic conscience] is the consciousness of beauty. Aesthetic means that which concerns beauty, art. There are people, for example, who move around in life and see landscapes, see people and things and have absolutely no sense of whether it is beautiful or not; and into the bargain, it makes no difference at all to them. They look at the sky, see whether there are any clouds, whether it will rain or be clear, for instance; or whether the sun is hot or the wind cold. But there are others—when they raise their eyes and look at a beautiful sky, it gives them pleasure, they say, “Oh! It is fine today, the sunrise is lovely today, the sunset is beautiful, the clouds have fine shapes.” So, the first kind do not have an aesthetic conscience, the second have.

Source CWM 7 · 1 June 1955 · para 3

Beauty is the aesthetic instinct of man, and the good is his ethical instinct, and these two things are very important in human education and growth…

Source CWM 7 · 25 May 1955 · para 39

… there is a beauty of thought, a beauty of feeling. This is something we perceive very often; when someone has done a very noble deed, very generous, very unselfish, quite spontaneously we say, “It is beautiful!” And it’s true, it gives the sense of beauty.

Source CWM 7 · 1 June 1955 · para 14

There is this beauty, this dignity of soul—a thing about which I am very sensitive. It is a thing that moves me and evokes in me a great respect always.1

Pre-requisites

Beauty is a great power. Beauty does not get its full power except when it is surrendered to the Divine.2

All Beauty in the world is there the beauty of the Beloved, and all forms of beauty have to stand under the light of that eternal Beauty and submit themselves to the sublimating and transfiguring power of the unveiled Divine Perfection.

Source CWSA 23 · The Ascent of the Sacrifice II · para 16

Beauty is not sufficient in itself, it wants to become divine. Pure sense of beauty can be acquired only through a great purification.

Source CWM 15 · Beauty · para 13

“Harmony and beauty of the mind and soul, harmony and beauty of the thoughts and feelings, harmony and beauty in every outward act and movement, harmony and beauty of the life and surroundings, this is the demand of. … Where love and beauty are not or are reluctant to be born, she does not come.”

Source CWM 4 · 12 May 1951 · para 1

We must go farther on, we must advance, climb greater heights and go beyond the arid search for pleasure and personal welfare, not through fear of punishment, even punishment after death, but through the development of a new sense of beauty, a thirst for truth and light, through understanding that it is only by widening yourself, illumining yourself, setting yourself ablaze with the ardour for, that you can find both integral peace and enduring happiness.

Source CWM 3 · Punishment · para 24

…and the heart’s call for the Divine have a truth—it is the truth of the divine. The will for has in it a truth—it is the truth of the Spirit’s mastery over its members. The musician and poet stand for a truth, it is the truth of the expression of the Spirit through beauty . There is a truth behind the mental Affirmer; even there is a truth behind the mental doubter, the Russellian, though far behind him—the truth of the denial of false forms. Even behind the two vital personalities there is a truth, the truth of the possession of the inner and outer worlds—not by the but by the Divine. That is the harmonisation for which our stands—but it cannot be achieved by any outward arrangement, it can only be achieved by going inside and looking, willing and acting from the psychic and from the spiritual centre. For the truth of the being is there and the secret of Harmony also is there.

Source CWSA 29 · The Adwaita of Shankaracharya · para 25

…from the point of view beauty and harmony are as important as any other expression of the Divine. But they should not be isolated, set up apart from all other relations, taken out from the ensemble; they should be one with the expression of life as a whole. People have the habit of saying, “Oh, it is an artist!” as if an artist should not be a man among other men but must be an extraordinary being belonging to a class by itself, and his art too something extraordinary and apart, not to be confused with the other ordinary things of the world.

Source CWM 3 · 28 July 1929 · para 15

There are people who are just like beautiful animals—all their movements are harmonious, their energies are spent harmoniously, their uncalculating efforts call in energies all the time and they are always happy; but sometimes they have no thoughts in their head, sometimes they have no feelings in their heart, they live an altogether animalish life. I have known people like that: beautiful animals. They were handsome, their gestures were harmonious, their forces quite balanced and they spent without reckoning and received without measure. They were in harmony with the material universal forces and they lived in joy. They could not perhaps have told you that they were happy—joy with them was so spontaneous that it was natural—and they would have been still less able to tell you why, for their intelligence was not very developed.3

Beauty: Stages

He means that it [seeking for beauty] is instinctive , that it isn’t rational, it doesn’t depend on the domain of reason, it is something instinctive. We have a sense of beauty and love beauty without even knowing why, and there are things which give the sense of beauty without our knowing why, without our reasoning. It is instinctive. He says that this is the infrarational stage of the aesthetic sense. It is absolutely obvious that a child, who sees a pretty flower and has the feeling of beauty he does not know why, would never be able to tell you that it’s because the form is balanced and the colours are lovely; he cannot explain it. Therefore it is not rational, it is altogether instinctive, it is an attraction, an impulse drawing one towards something, a harmony one feels, without being able to define it. But most often it is like that. It is rarely that one is able to say, “This thing is beautiful because of that, because of this,” and to give a whole lecture on the beauty of something. Usually, one simply feels that it is beautiful; if later one wonders, “Why did I feel it is beautiful?” then, by making an effort with one’s intelligence one may succeed in understanding it; but at the beginning one is not pre-occupied with the why, one feels that it is beautiful, and that’s all, one is satisfied with that.

For example, you enter a historical building, and suddenly you are seized by the sense of a great beauty; how do you explain it? If someone asks you about it you would say, “Well, I feel that it is beautiful.” But if an architect enters a building and has the same feeling that it is beautiful, he will immediately tell you, “It’s because the lines meet harmoniously, the mass of the volumes is in harmony, the entire structure follows certain laws of beauty, order and rhythm”, and he will explain them to you. But that’s because he is an architect, and yet you could have felt the beauty as much as he without being able to explain it. Well, your feeling for beauty is what Sri Aurobindo calls infrarational, and his feeling for beauty is what Sri Aurobindo calls rational, because he